The Baguette
Gazing with wonder at the majesty of the sheer rock walls and tiered snow platforms, Victor Hugo exclaimed, “It is both a mountain and a rampart; it is the most mysterious of structures by the most mysterious of architects; it is Nature’s Colosseum – it is Gavarnie!” The Cirque is 3.5 km wide at its base and 14 km around the crest line (from Astazou in the east to Pic des Sarradets in the west). The floor level is, on average, 1,676 meters above sea level; the surrounding summits rise to more than 3,000 meters. This beautiful amphitheatre was formed by glacial action during the last ice age. The best way to view it is to park one’s car at the end of the village and take the unsurfaced path along the left bank of le gave (a mountain stream). After crossing over an old stone bridge, walk up through the woods, leaving the river to your right. Village farmers let their cows graze in the mountain valleys and their bells can be heard clanging away as they stomp through the vale. As one goes down again towards the river, the landscape brightens up; the Cirque gets nearer against a backdrop of fir trees. On the left a few waterfalls can be seen. The last part of the hike consists of rambling through mixed vegetation to reach the first rocky folds marking the approach of the Cirque itself. Shortly before arriving at the Hôtel du Cirque (a great place to rest after hiking for over an hour), the river rushes through a narrow gorge. Then the Cirque de Gavarnie suddenly comes into view—three superimposed layers of horizontal strata rising in giant steps from the floor of the blind valley. The excursion to the Hôtel du Cirque does not have to end there as it is possible to continue onward as far as the Grande Cascade. This, the most impressive of the innumerable waterfalls silvering the walls of the Cirque, is fed by melt-water overflowing from the frozen lake 2,592 meters up on Monte Perdido on the Spanish side of the border. The cascade drops a clear 422 meters into the void. For people who enjoy hiking, visiting the Cirque de Gavarnie is well worth the time. It has been a UNESCO World Heritage Site since 1997.
Laid out in the 18th century by the Marquis de la Calprenède, the gardens of Eyrignac were remodelled many times during the 19th century and finally given their present aspect in the 1960s by Gilles Sermadiras de Pouzols de Lile, current owner of the gardens. Five gardeners work full time to look after the 10 hectares of land. The result is an extraordinary display of French-style gardening and Tuscan topiary art. The grounds are lined with grassy pathways bordered with exquisitely trimmed yews, box shrubs and hornbeams creating green chambers for visitors to rest and admire. It also has its own Chinese pavilion which was designed and built in the 17th century and well maintained ever since. A large Hornbeam Rotunda creates a sort of “tower” with windows cut into it allowing views over the countryside or into the garden. At the center of the rotunda is an eight-pointed star representing the cardinal directions. The stone bowl at its center holds a planting of flowers that vary by season, but are always white. In spring they are daffodils and in summer, trailing petunias. Fountains and fishponds ornament the grounds around the 17th century mansion built in pale Sarlat stone. On either side of the mansion are two pavilions that mark the change of level between the courtyard and the French gardens. One of the pavilions is actually a small chapel where all special family events are celebrated particularly the baptisms of each newborn child in the family. The pond is 40 meters long and is constantly replenished by one of the garden’s seven springs. It used to be a fishpond as well as a place for watering horses and livestock from the old farm. Today, Florentine pots planted with box shrubs edge the pond. Between the two orchards of apple trees trained into globes, the Hornbeam Walk forms a main axis of the gardens. A stepped, path-like strip of box, broken only by the turf and Hornbeam Walk, marks out the vista aligned on the Pavilion of Tranquility. A Japanese red torii gate is the entry into the newest addition called the Jardin Blanc opened in 2004 with its alleyways lined with white roses leading to five ornamental pools representing the five senses. This year, three new gardens were opened to the public. The first of these is the fruit garden, which also has a section devoted to growing replacement trees and shrubs for the garden. Nearby, are the other two gardens—the beautiful flower garden and farmer’s garden separated by five archways of evergreen. The entrance to the garden as well as the exit serves as a souvenir shop for visitors offering all sorts of gardening materials, books and housewares.
Hollowed out of the limestone mass of the Gramat Causse by a subterranean river, the great chasm of Padirac, famous throughout Europe, is thought of as one of the greatest interesting geological sights of France. Be sure to check out their website for additional information and some wonderful graphics. Sadly, I have few photos of the interior as no photography whatsoever is allowed. Still, I did sneak two or three good pictures without my flash when the guide wasn’t paying attention. Two lifts and some staircases lead from the visitor’s center into the chasm, which is 32 meters in diameter and a staggering 75 meters deep, to the cone of rubble below from the original caving-in of the roof centuries ago. From the bottom one looks up in awe at the Eye of God—a little corner of sky at the mouth of the hole. The walls are covered in vegetation while moisture leeching downward drips on ones head. During the Hundred Years’ War and the Wars of Religion, the chasm served as a refuge for people living in the area. It wasn’t until the end of the 19th century that a violent flooding of the river opened up the bottom of the chasm and the underground caverns. The speleologist, Édouard-Alfred Martel, was the first to discover the passage in 1892. Padirac was opened for the first time to tourists in 1898. From the cone of rubble there is a staircase leading to the underground river, 103 meters below ground level. At the bottom, a two-kilometer journey begins, 500 meters on foot and another 400 meters by boat. A flotilla of flat-bottom boats offers an enchanting journey over the astonishingly clear waters. A narrow passage between high walls links the underground lake and the chambers to be visited next. In the salle des grands gours is a series of pools separated by natural limestone dams, dividing the river and the lake into basins; beyond that is a cascading 6-meter waterfall. The most impressive part of the tour is the salle du grand dôme, which reaches 91 meters high into the cavern. The viewpoint, built halfway up, enables visitors to look below in wonder at the rock formations and the flows of calcite decorating the walls. There is also another lake named Supérieur which is fed only by water infiltrating the soil and falling from the roof. Surprisingly, this lake is actually 20 meters above the subterranean river. Again, there are a lot of stairs so if you have a problem with that, this excursion is not for you. Upon ones return along the underground river, a tour guide takes a photo of your boat. I didn’t think it was worth 15 Euros to purchase a photograph with a bunch of other tourists I didn’t know, so here is one taken in the 1960s—not much has changed—only eleven people per boat. To exit the cave, either take the stairs like I did or for those not eager for the exercise, use the elevator.
Near the valley of the Dordogne as it makes a deep cut through the Gramat Causse, a series of caves was discovered in 1902 by Armand Viré, a student of the geographer and speleologist Édouard-Alfred Martel, at the foot of the cliffs beside the river. Just before entering the cave, be sure to admire the Château de Belcastel nearby. Constructed in 930 by Adhémar des Echelles, Vicomte of Turenne, only the eastern part of the main wing, the tower keep and the small chapel date from the Middle Ages; most of the other buildings were rebuilt later. In order to reach the enormous caverns of Lacave, one must first take a train ride through a tunnel that was blasted through the hillside to provide easier access to the caves. It extends for 450 meters and gradually rises about 50 meters. After exiting the train, one reaches the galleries which extend for 1.6 km on foot. If you don’t like stairs, this excursion is not for you. Inside, the galleries divide into two sections: concretions and stalactites prevail in the first; in the second, underground rivers run in between natural limestone dams (gours) and flood out into placid lakes. In the Salle des Merveilles, the stalactites are lit using a black-light. In the eerie darkness, the tips of the stalactites gave the impression of being surrounded by fireflies. Normal lighting is used to enhance the reflections of the concretions in the still waters of the lakes. Flash photography is not allowed but I managed to get some nice photos using the timer on my camera. Be sure to wear a jacket or sweater as the temperature inside never reaches beyond the constant 14 °C / 57 °F.
Near the town of Brix, at 100, route du Mont Epinguet is the unique Jardin de Clairbois. Its name derives from the small river La Claire which winds along the foot of the wooded hills of Mont Epinguet, part of the ancient forest of Brix. In 1964, M. and Mme. Hubert Egon (now deceased), parents of the current owner, began to plant an undergrowth of rhododendrons and other heath shrubs on their land. The land’s proximity to La Claire brings moisture while the leafy cover of deciduous and conifer trees dims the sunlight. The ground is naturally rich in humus and a subsoil of Armorican sandstone allows excess moisture to drain away. These conditions make the area ideal for a forest garden. The three hectare garden is divided into three distinct areas. Aged for fifteen years, the 8000 m² Jardin des hybrides has more than 301 species and 829 hybrid varieties of rhododendrons, azaleas, dogwoods, camellias, pittosporums, and hydrangeas. Nearly a third of the plantings have received awards by the British Royal Horticultural Society. It was originally designed to provide an aesthetic color palette which changes continually throughout the year. Its grassy pathways are well cared for by M. Christophe Egon and his wife, Pascale. The 2000 m² Jardin des espèces forms a buffer zone between the first, well-manicured hybrid garden. It contains many coniferous trees and larch wood as well as 100 botanical species from Asia, North and South America, Australia and Russia. As this part of the garden is in a constant state of improvement, hundreds of new shrubs have been planted and new pathways have been cleared. A small pond with its own waterfall has been created next to the ruins of an ancient stone building thought to be part of a medieval quarry. Finally, the largest part of the garden open to the public is the 20,000 m² Jardin forestier. Here the forest is stepped along the southern part of the hillside, a remnant of the ancient forest of Brix. Some rhododendrons planted in the 1960s form enormous masses of color mixed among the very old beech trees, chestnuts, oaks and natural birches. Be careful—this part of the garden is only for the most adventurous of visitors. Christophe and Pascale also run a nursery called La pépinière de Clairbois where visitors can purchase different varieties of trees and shrubs found in their garden. There is even a small picnic area where visitors can purchase drinks or a refreshing ice cream.